2000adonline:

ECBT 2000AD review the latest offerings from the 2000AD fanzines:

Flint is joined by Luke Foster to have a look at the latest offerings from team Futurequake : Zarjaz 12 and Dogbreath 24.

As with the regular 2000AD reviews the strips in question are gone into in detail so expect heavy spoilers.

More info on Zarjaz and Dogbreath including details on how you can get copies are here : http://thequaequamblog.blogspot.com/

Please note : These reviews were done with digital copies the gents at Futurequake were good enough to provide. As such some stories were read in a different order to that which was in the printed edition. Not that it really matters, just in case anyone is reading along. That said the one longer Dredd story was broken down into three parts in the print version.

Includes a review of my Sun & Moon story, not exactly glowing but the make some good points.

(Source: ecbt2000ad.libsyn.com)

Out now with the final instalment of Undertow:

Finally, there’s the long awaited finale to Undertow - the  Vatican hitman is determined to kill the goblin Messiah - but the  underworld aren’t finished yet… This is the last chapter of a weird  and wonderful tale by the regular team of The Emperor and Davey  Candlish.

It has been a while but we are talking about a collected edition and I think the story will make more sense when read as a complete piece. I was possibly a little over-ambitious trying to fit a longer ongoing story into a well-spaced out anthology.
Also Ganesh will return, possibly in Paragon #10.

Out now with the final instalment of Undertow:

Finally, there’s the long awaited finale to Undertow - the Vatican hitman is determined to kill the goblin Messiah - but the underworld aren’t finished yet… This is the last chapter of a weird and wonderful tale by the regular team of The Emperor and Davey Candlish.

It has been a while but we are talking about a collected edition and I think the story will make more sense when read as a complete piece. I was possibly a little over-ambitious trying to fit a longer ongoing story into a well-spaced out anthology.

Also Ganesh will return, possibly in Paragon #10.

kevlevell:

The rebirth of King Arthur - a page from the collaborative webcomic Fractal Friction.

A fantastic page from Kev.

kevlevell:

The rebirth of King Arthur - a page from the collaborative webcomic Fractal Friction.

A fantastic page from Kev.

FutureQuake Press have just announced the release of Dogbreath #24 which includes the sixth Sun and Moon story “Reservation Dogs” that I wrote and the sublimey talented James Feist drew. The spectacular Gronk cover is courtesy of Nigel Dobbyn who also writes and draws a Gronk story inside, it brings the days of the Gronkinator flooding back.
Zarjaz #12 is also out with a cracking cover from my Vampire Vixens collaborator Alex Ronald (his big return to drawing Dredd for a comic in 10 years and, despite his years working on the title in 2000 AD, his first cover for the character):

These are the Strontium Dog and 2000AD fanzines (respectively) and are jam-packed with thrills, I can guarantee it as I worked as script consultant on both of these comics, although not every story had my beady eye cast over them (as the FQP chaps try and work quite a way in hand) enough of them have my mucky metaphorical fingerprints on them for me to feel especially pleased at the results (I did get a script consultant credit for Zarjaz #11 but really I arrived after most of the scripts had been greenlit, so I feel these two are really the first ones I had a lot of input into and I’m suitably proud of the results).
Don’t forget that in the latest batches of releases there is also FutureQuake #18, an anthology of Future Shock-style stories with this blinding cover by Neil Ford:

So you should pop over to the FQP shop and get the chaps to bundle up all three of them for you into one envelope to save on shipping, or keep an eye out for them at any number of cons throughout the rest of the year (I believe Birmingham and ThoughtBubble will be two big ones they like to attend).

FutureQuake Press have just announced the release of Dogbreath #24 which includes the sixth Sun and Moon story “Reservation Dogs” that I wrote and the sublimey talented James Feist drew. The spectacular Gronk cover is courtesy of Nigel Dobbyn who also writes and draws a Gronk story inside, it brings the days of the Gronkinator flooding back.

Zarjaz #12 is also out with a cracking cover from my Vampire Vixens collaborator Alex Ronald (his big return to drawing Dredd for a comic in 10 years and, despite his years working on the title in 2000 AD, his first cover for the character):

These are the Strontium Dog and 2000AD fanzines (respectively) and are jam-packed with thrills, I can guarantee it as I worked as script consultant on both of these comics, although not every story had my beady eye cast over them (as the FQP chaps try and work quite a way in hand) enough of them have my mucky metaphorical fingerprints on them for me to feel especially pleased at the results (I did get a script consultant credit for Zarjaz #11 but really I arrived after most of the scripts had been greenlit, so I feel these two are really the first ones I had a lot of input into and I’m suitably proud of the results).

Don’t forget that in the latest batches of releases there is also FutureQuake #18, an anthology of Future Shock-style stories with this blinding cover by Neil Ford:

So you should pop over to the FQP shop and get the chaps to bundle up all three of them for you into one envelope to save on shipping, or keep an eye out for them at any number of cons throughout the rest of the year (I believe Birmingham and ThoughtBubble will be two big ones they like to attend).

Down The Tubes have a report on the Glasgow Comic Con with some kind words to say about Vampire Vixens:

The separately ticketed evening event was built around the presentation  of the inaugural Scottish Independent Comic Book Awards (SICBAs). These  were voted on by attendees to the Con based on creator nominations  shortlisted by a group of professionals and fans. On the night the Best  Publication was Burke and Hare, originally published by  Insomnia, written by Martin Conaghan and illustrated by Will Pickering,  Best Writer was Martin Conaghan for the aforementioned Burke and Hare, while Best Artist was Alex Ronald for Vampire Vixens of the Wehrmacht in Wasted. The Achievement In Comics award went to Alan Grant.
It does have to be said that the SICBA organisers need to get their  awards more widely known and publicised beforehand for them to be  considered Scottish rather than merely Glaswegian, however all were  deserving winners with Vampire Vixens more than good enough to have its own publication

Down The Tubes have a report on the Glasgow Comic Con with some kind words to say about Vampire Vixens:

The separately ticketed evening event was built around the presentation of the inaugural Scottish Independent Comic Book Awards (SICBAs). These were voted on by attendees to the Con based on creator nominations shortlisted by a group of professionals and fans. On the night the Best Publication was Burke and Hare, originally published by Insomnia, written by Martin Conaghan and illustrated by Will Pickering, Best Writer was Martin Conaghan for the aforementioned Burke and Hare, while Best Artist was Alex Ronald for Vampire Vixens of the Wehrmacht in Wasted. The Achievement In Comics award went to Alan Grant.

It does have to be said that the SICBA organisers need to get their awards more widely known and publicised beforehand for them to be considered Scottish rather than merely Glaswegian, however all were deserving winners with Vampire Vixens more than good enough to have its own publication

Well the Scottish Independent Comic Book Awards were announced last night and Alex won the “Best Artist” award (sponsored by Orang Utan Comics, thanks Ian) for his work on our Vampire Vixens, and I got a mention in his acceptance speech too. Over to Alex:

Scooped the Best artist award for Vampire Vixens at the Scottish  Independant Comic Book Awards last night. The brilliant Glasgow Con was  hosted by Sha Nazir and John Farman and was a great event held in a  stunning Rennie Mackintosh building.
…
Cheers to all who voted.Well chuffed.

Me too :)
Those results:
Best Writer: Martin Conaghan, for Burke and Hare
Best Artist: Alex Ronald, for Vampire Vixens
Best Graphic Novel: Burke and Hare
Life Time Achievement: Alan Grant
Alex previously won the 1997 “Best Newcomer” Eagle Award and it is good to see his return to comics, after a decade in the film and video game industry, has been acknowledged too.

Well the Scottish Independent Comic Book Awards were announced last night and Alex won the “Best Artist” award (sponsored by Orang Utan Comics, thanks Ian) for his work on our Vampire Vixens, and I got a mention in his acceptance speech too. Over to Alex:

Scooped the Best artist award for Vampire Vixens at the Scottish Independant Comic Book Awards last night. The brilliant Glasgow Con was hosted by Sha Nazir and John Farman and was a great event held in a stunning Rennie Mackintosh building.

Cheers to all who voted.
Well chuffed.

Me too :)

Those results:

  • Best Writer: Martin Conaghan, for Burke and Hare
  • Best Artist: Alex Ronald, for Vampire Vixens
  • Best Graphic Novel: Burke and Hare
  • Life Time Achievement: Alan Grant

Alex previously won the 1997 “Best Newcomer” Eagle Award and it is good to see his return to comics, after a decade in the film and video game industry, has been acknowledged too.

Yes, more S&M:

What would an issue of DOGBREATH be without another outing for Mr Sun  & Mr Moon. This episode sees them working yet again with familiar  faces from S/D history. Who is it this time? Why are they Crying? And  why is this episode called ‘Reservation Dogs’? You will need to get  Dogbreath 24 to find out!

I’m just finishing off the next story, so everything is ticking along nicely.

Yes, more S&M:

What would an issue of DOGBREATH be without another outing for Mr Sun & Mr Moon. This episode sees them working yet again with familiar faces from S/D history. Who is it this time? Why are they Crying? And why is this episode called ‘Reservation Dogs’? You will need to get Dogbreath 24 to find out!

I’m just finishing off the next story, so everything is ticking along nicely.

crazyfoxmachine:

Drawn for The Emperor of FILTH 

More Dirty Frank mayhem. No helmet jokes.

crazyfoxmachine:

Drawn for The Emperor of FILTH 

More Dirty Frank mayhem. No helmet jokes.

The nominations have been revealed for The Scottish Independent Comic Book Awards, to be announced at the Glasgow Comic Con and Alex is nominated for the “Best Artsit” Award for his work on our story Vampire Vixens (sponsored by Orang Utan Comics, thanks to Ian for the reminder):

Nominations for the first ever SICBA’s (Scottish Indy Comic Book Awards) are as follows thanks to all who entered. Commiserations to all those who didn’t make the shortlists and congratulations to those that did. Thank you all for contributing. The Nominees are as follows:
…
Best ArtistAlex Ronald - Vampire Vixens
…
You can read and vote for your favourites from Monday 13 - Sat 18 June  at the Mackintosh Church, Arts & Heritage Centre all week.

It’d be great if Alex could win this one as it is his art that has really raised the story to another level, so I have my fingers crossed (as popping onto the train to Glasgow would be a tad excessive to vote for an award).

The nominations have been revealed for The Scottish Independent Comic Book Awards, to be announced at the Glasgow Comic Con and Alex is nominated for the “Best Artsit” Award for his work on our story Vampire Vixens (sponsored by Orang Utan Comics, thanks to Ian for the reminder):

Nominations for the first ever SICBA’s (Scottish Indy Comic Book Awards) are as follows thanks to all who entered.
Commiserations to all those who didn’t make the shortlists and congratulations to those that did.
Thank you all for contributing.

The Nominees are as follows:

Best Artist

Alex Ronald - Vampire Vixens

You can read and vote for your favourites from Monday 13 - Sat 18 June at the Mackintosh Church, Arts & Heritage Centre all week.

It’d be great if Alex could win this one as it is his art that has really raised the story to another level, so I have my fingers crossed (as popping onto the train to Glasgow would be a tad excessive to vote for an award).

The Forbidden Planet blog gives the Vampire Vixens a fantastic write up:

Artist Alex Roland gives us the low down; ‘I pitched the idea of a  Nazi Vampire babe to the editorial team and they said to give it a  blast. As I was working on this cover I had all sorts of ideas going  through my head about her and how she could fit into a war comic  scenario. Prior to this I’d been working on visuals for the  combat/horror film Outpost 2 and knew there was a market out there for  this type of genre.’
This insight from Ronald is indeed inspired, as the comic and prints  of The Vampire Vixens sold out at Kapow!, and it rapidly became a comic  that was highly sought after in quick order.
The story itself, drawn by a small press writer only known as  Emperor, is quintessential British humour mixed with a classic war  adventure. The two episodes so far published tell of how The Evil  Germans have found a new weapon, Vampire Vixens, but one of them happens  to have been turned to fight against Jerry and so heads off on a  mission with a Chaplin to capture a spherical piece of human tissue, of  legend and soldiers songs. This hilarity means the story is not too  serious and is reminiscent of the likes of the Goons or Monty Python  lampooning the subject of the second war.
The creative team is complemented by Jim Campbell  who not only  letters the strip but also brings some editorial input, and one can see  that this team take serious care in their efforts at telling a good  story.
The comic is beautifully drawn, the artwork fully painted in style  and tremendously accurate, and of course, the Vampire Vixens are  immediately iconic in their look. Ronald admits that he is drawing on  many different sources of inspiration, ‘exploitation cinema of the late  70s and early 80s… Rock album covers, war comics like Battle and  Warlord and Italian exploitation mags like Terror Blu and Hessa. Episode  two has a panel that echoes the Bond poster, For Your Eyes Only and  some of the promo images take their cues from the movie title  sequences.’
The detail here is indicative of the calibre of the story, and one hopes  that the final part and further stories will be picked up, if ever  there was a marketable product this is it, although Ronald does say he  is in negotiations – we can only hope for more.

There will indeed be more - Alex is working another project at the moment, but has the script for the third instalment and will start on that as soon as he is free. Stay tuned for more news as we are discussing perhaps going for expanded instalments which might, eventually, lend itself to a solid little collected volume. More news when it happens.

The Forbidden Planet blog gives the Vampire Vixens a fantastic write up:

Artist Alex Roland gives us the low down; ‘I pitched the idea of a Nazi Vampire babe to the editorial team and they said to give it a blast. As I was working on this cover I had all sorts of ideas going through my head about her and how she could fit into a war comic scenario. Prior to this I’d been working on visuals for the combat/horror film Outpost 2 and knew there was a market out there for this type of genre.’

This insight from Ronald is indeed inspired, as the comic and prints of The Vampire Vixens sold out at Kapow!, and it rapidly became a comic that was highly sought after in quick order.

The story itself, drawn by a small press writer only known as Emperor, is quintessential British humour mixed with a classic war adventure. The two episodes so far published tell of how The Evil Germans have found a new weapon, Vampire Vixens, but one of them happens to have been turned to fight against Jerry and so heads off on a mission with a Chaplin to capture a spherical piece of human tissue, of legend and soldiers songs. This hilarity means the story is not too serious and is reminiscent of the likes of the Goons or Monty Python lampooning the subject of the second war.

The creative team is complemented by Jim Campbell who not only letters the strip but also brings some editorial input, and one can see that this team take serious care in their efforts at telling a good story.

The comic is beautifully drawn, the artwork fully painted in style and tremendously accurate, and of course, the Vampire Vixens are immediately iconic in their look. Ronald admits that he is drawing on many different sources of inspiration, ‘exploitation cinema of the late 70s and early 80s… Rock album covers, war comics like Battle and Warlord and Italian exploitation mags like Terror Blu and Hessa. Episode two has a panel that echoes the Bond poster, For Your Eyes Only and some of the promo images take their cues from the movie title sequences.’

The detail here is indicative of the calibre of the story, and one hopes that the final part and further stories will be picked up, if ever there was a marketable product this is it, although Ronald does say he is in negotiations – we can only hope for more.

There will indeed be more - Alex is working another project at the moment, but has the script for the third instalment and will start on that as soon as he is free. Stay tuned for more news as we are discussing perhaps going for expanded instalments which might, eventually, lend itself to a solid little collected volume. More news when it happens.